Mortiis has hand-printed a limited number of highly-collectible Demons Are Back posters for the band's upcoming UK tour.

"Old fashioned, hands-on printers like Presserommet are few and far between in this digital age, so naturally it was pretty fucking cool to discover that there's one right here in my town," Mortiis said.

Based on Medieval artwork, Mortiis personally designed and hand-printed the posters. Some of the process has been documented in a video, streaming below.

"Needless to say, several satanic invocations have been hidden within the design of our Demons Are Back prints," he said. "If you buy one - you're buying stock in hell... and that´s always good business!"

The print run is limited to 300, with 100 of each paper color, and will be exclusively available during the UK tour later this month.

Mortiis will be returning to UK shores for a run of seven headline shows this month. The tour kicks off at Newcastle’s Cluny venue on May 23rd and commences at Bristol’s Fleece on May 29th.

The band comments: ”It’s about time we came back to the UK for some shows. See you in May, you bastards.”

Tour dates:

May
23 - Newcastle, UK - Cluny
24 - Glasgow, UK - Audio
25 - Manchester, UK - Ruby
26 - Birmingham, UK - O2 Institute
27 - Brighton, UK - Haunt
28 - London, UK - Garage
29 - Bristol, UK - Fleece

Tickets are on sale now at this location.

Vardøger, the first of three short films by noted Norwegian shock filmmaker Reinert Kiil and set to Mortiis' "Geisteskrank”, can be seen below. Kiil's mind-blowing visuals accompany Mortiis' track, recorded during the same sessions that yielded Mortiis' latest work, The Great Deceiver.

"The video unpleasantness continues," said Mortiis, who has already unveiled three graphically-intense videos from The Great Deceiver. "A while back Norwegian horror director Reinert Kiil started his short film trilogy based on his own ugly descent into depravity and violence. Never ones to turn our backs to a good cause, we leaped at the opportunity to provide the soundtrack to what is essentially a good old bashing. Vardøger is the first part. I've seen the next one, and it just keeps getting worse."

Kiil began toying around with filmmaking as an adolescent. The director has now gained notoriety as Norway's only Grindhouse filmmaker. Kiil's work with Mortiis is his first musical collaboration. Both parties were intrigued by the idea of delving into the other's art-form, but both were waiting to find that kindred soul to capture a shared essence. Mortiis and Kiil found that in each other.

"The music is sonically fused with a glimpse of his soul - or crazed mind or whatever it might be - and it is complete, a sordid success," Mortiis said. "The result is sleazy, strange, disturbing, and extremely violent."