Neil Turbin (Deathriders, ex-Anthrax), reporting for The Metal Voice, caught up with  Biff Byford  from the legendary NWOBHM band Saxon in Los Angeles as they began their North American tour as special guests to Motörhead.

Biff talks about the bands early thrashing sound, the recording process of their 21st album Battering Ram, as well as his autobiography. Check out the video interview below:

On October 16th, Saxon will release their 21st studio album, Battering Ram, in North America via UDR Music. The new album boasts a clinically ‘heavy’ echo of Saxon’s glorious NWOBHM sound. Check out the official “Battering Ram” single music video below.

In this no-nonsense, sharp performance, Biff and the boys are captured at Backstage Studios in Derbyshire, UK, throwing down a thunderous performance of their forthcoming new album’s title track.

On Battering Ram – with Biff Byford singing as well as he ever has, Paul Quinn and Doug Scarratt making full use of the term ‘shredding’ with their guitars and the lock-steady rhythm of Nibbs Carter’s bass and Nigel Glockler’s drums – the future and the past crash together in an ear-scintillatingly engaging, raucous, melodic-yet-classically heavy ten-song collection which will instantly be hailed as a Saxon classic. The title track, with its delectable twin guitar assault heralding the album’s commencement, gives the listener an instant crack around the chops, whilst traditionalists will be delighted to hear such a perfect marriage of old, classic Saxon with the newer, fresher invective in such riff-fronted fare as “Destroyer” and “Stand Your Ground”, but there are still moments of space and exploration which fans will love.

“This one’s a natural progression from Sacrifice,” says Byford, “There’s a bit less rock’n’roll and a bit more ‘heavy’ on it. We wanted to keep focused on a style rather than moving around too much.”

Produced by Andy Sneap (Megadeth, Testament, Exodus, Accept) at his Backstage Recording Studios in rural Derbyshire, Saxon were able to hone in and whittle down any excess, finding the sonic space and balance to let Battering Ram’s riffs and melodies get the necessary space to scream front and center, Sneap bringing a crispness to the sound which evokes memories of the early ‘80s without for one moment sounding dated.

“Yes, Andy has been in charge of everything with this album, I keep on overview of it all, but he’s done a great job and we’re both pleased with the results. We have a great partnership,” adds Byford.

Lyrically, Battering Ram covers a variety of social situations, like the screaming fans who rage at the gig barriers (“Battering Ram”) or engaging in some good old fashioned myth (“The Devil’s Footprint” - a 200 year old tale of people waking up in winter snowfall to see unexplained hoof prints which they followed, looking for an answer in vain).

“When I’m writing lyrics I like to switch back and forth between complex things, reality and rock’n’roll,” says Byford, “I thought the whole folklore behind “The Devil’s Footprint” made it great material for a metal song, being that it’s both historic and mythical.

“With “Queen of Hearts” I wanted to write something around Lewis Carroll’s Alice In Wonderland, and it’s about the chess game that happens in the story. I wanted it to have prog-feeling in the way of its ambiance and mood. Then you have songs like “Destroyer” and “Hard and Fast” which are ‘80s inspired songs with that modern slant on it. I’m a big fan of Marvel comics, and I wanted to write a song around the character Destroyer, and with “Hard and Fast” it’s as the title suggests, about driving fast! I do like to tie the lyric into the song, so if it’s going to be a song about driving fast, well, it has to be a fast, hard song!”

There is also the album’s closing cut, haunting, gripping, melancholic tale of the First World War, “The Kingdom of The Cross”, where a poem unfurls the feelings and horrors which comprised this most brutal of global conflicts. “This year is the centenary of the end of the First World War. Nigel had a piece of music which he played on a synthesizer for a couple of years that I really liked. We had an actor (and singer), David Bower from the band Hell, read the poem and I sang the choruses. I didn’t want it to be typical Saxon, so it is just keyboards, bass, me and Dave.”

Wonderfully uncompromising, with Battering Ram, Saxon have once again established their rightly-venerated credentials as Kings and vanguards of heavy metal music.

Battering Ram is available for pre-order now via iTunes (with “Battering Ram” Instant Grat track) here.

Coming soon, Battering Ram will be available for pre-order via Amazon and various formats will include CD in Ecolbook, 180 gram Vinyl, Limited Edition Boxset (containing CD, Vinyl and a Bonus CD with the band performance of their Denim & Leather Tour “Saxon Over Sweden 2011” – 18 tracks).

In celebration of the release of Battering Ram, Saxon will join select dates with Motörhead, and others with Armored Saint, in the US beginning August 19th. See below for all confirmed tour dates.

Saxon US Tour Dates:

August
27 - Salt Lake City, UT - The Complex (with Motörhead)
28 - Boise, ID - Knitting Factory

September
1 - Austin, TX - Cedar Park Center (with Motörhead)
2 - San Antonio, TX - Aztec Theatre (with Motörhead)
3 - El Paso, TX - Speaking Rock Entertainment Center
4 - Dallas, TX - Bomb Factory (with Motörhead)
5 - Houston, TX - House Of Blues (with Motörhead)
6 - St. Louis, MO - Pageant Theater (with Motörhead)
9 - Indianapolis, IN - Murat Theater (with Motörhead)
10 - Atlanta, GA - Center Stage - Prog Power
12 - Stafford, CT - Palace Theater (with Armored Saint)
13 - Portland, ME - Asylum (with Armored Saint)
15 - Washington, DC - Howard Theater (with Armored Saint)
16 - Westland, MI - Token Lounge (with Armored Saint)
17 - Pittsburgh, PA - Altar Bar (with Armored Saint)
18 - Cleveland, OH - Agora Ballroom (with Armored Saint)
20 - St. Charles, IL - Arcada Theater (with Armored Saint)