BRUCE DICKINSON - "IRON MAIDEN’s Audience Is Like A Table Made Of Plywood: Every Year You Add A New Layer And The Table Just Gets Bigger And Bigger"
February 1, 2022, 2 years ago
In an essay for Louder, Iron Maiden frontman, Bruce Dickinson, writes about the band’s latest album, Senjutsu, taking inspiration from Rammstein, and looking forward to playing live. And excerpt follows...
Bruce Dickinson: "We went head to head with Drake the week the (Senjutsu) album was released [the rapper narrowly beat Maiden to the No.1 spot]. I don’t really get what he does, though a lot of people do, but going head to head with him felt like: “No, this is real music played by a bunch of old geezers who make no concessions to the times in which we live.” People say: “You’re dinosaurs.” And we go: “Yeah, and there aren’t too many of those left.”
"This is who we are, it’s what do. But by and large our audience has moved on with us. Maiden’s audience is like a table made of plywood: every year you add a new layer and the table just gets bigger and bigger. We’ve grown organically - not through social media or any of that stuff. We’ve grown by going out and doing it in front of people."
Read Dickinson's full essay at Louder.
Bruce Dickinson is currently on an extensive US and Canada spoken word tour, An Evening With Bruce Dickinson.
Split into two parts, the first section of the show sees Bruce taking a humorous and often satirical look at the world from his own very personal perspective, treating the audience to private insights into his drive and ambition, peppered with plenty of Maiden anecdotes, and a myriad of other experiences encompassing not just the giddy heights but also the extreme lows, told first-hand in his inimitable anarchic style, punctuated with photographs and sometimes even erupting into song a-capella, to illustrate a point.
The final section of the evening is devoted entirely to a Q&A session, with the opportunity to pose questions on any subject whatsoever. As Bruce’s answers will all be completely improvised – the more left-field and quirky the question, the more interesting and compelling the response is likely to be!
Dates:
February
1 - Buffalo-Niagara Falls, New York - Buffalo State Performing Arts Center
2 - Albany, New York - The Egg
4 - New York City, New York - The Town Hall
5 - Boston, Massachusetts - Schubert Theatre at the Boch Center
7 - Philadelphia, Pennsylvania - The Fillmore
8 - Washington, DC - Warner Theatre
10 - Cleveland, Ohio - MGM Northfield Park
11 - Chicago, Illinois - Vic Theatre
13 - Minneapolis, Minnesota - Pantages Theatre
14 - Milwaukee-Racine, Wisconsin - Pabst Theater
16 - Des Moines, Iowa - Hoyt Sherman Place Theatre
17 - Oklahoma City, Oklahoma - Rose State College Hudiberg Chevrolet Center
19 - Kansas City, Kansas - Uptown Theater
20 - Denver, Colorado - Paramount Theatre
22 - Dallas, Texas - Majestic Theatre
23 - Houston, Texas - Stafford Centre
24 - Austin, Texas - Paramount Theatre
26 - Phoenix, Arizona - Mesa Arts Center
28 - San Diego, California - Balboa Theatre
March
1 - Los Angeles, California - Orpheum Theatre
3 - San Francisco, California - Palace of Fine Arts
4 - Portland, Oregon - Arlene Schnitzer Concert Hall
6 - Seattle, Washington - The Moore Theatre
12 - Las Vegas, Nevada - House Of Blues
14 - Vancouver (New Westminster), British Columbia - Massey Theatre
16 - Victoria, British Columbia - Royal Theatre
18 - Edmonton, Alberta - Winspear Centre
20 - Winnipeg, Manitoba - Burton Cummings Theatre
21 - Calgary, Alberta - Jack Singer Concert Hall
23 - Montreal, Quebec - MTELUS
26 - Ottawa, Ontario - Algonquin Commons Theatre
27 - Quebec City, Quebec - Palais Montcalm
29 - Hamilton, Ontario - FirstOntario Concert Hall
30 - Kitchener, Ontario - Centre in the Square