KANE ROBERTS On The Time He Almost Killed ALICE COOPER - "I Hear What Sounds Like Two Pieces Of Metal Slap Together, And This Roman Candle Missile Shoots Out Of My Guitar..."

January 20, 2019, 5 years ago

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KANE ROBERTS On The Time He Almost Killed ALICE COOPER - "I Hear What Sounds Like Two Pieces Of Metal Slap Together, And This Roman Candle Missile Shoots Out Of My Guitar..."

Former Alice Cooper guitarist Kane Roberts is back with a new solo album, The New Normal, which will be released on January 25th via Frontiers Music Srl. He recently spoke to Robert Cavuoto for My Global Mind and discussed the new album, why he walked away from music business, why he parted ways with Alice Cooper, almost killing Alice on stage, and what it was like to write with Paul Stanley. Following is an excerpt from the interview.

Robert Cavuoto: Why did you part ways with Alice as you seemed to have a nice chemistry?

Kane Roberts: "Alice and I are still best friends, when I got the record deal with Geffen, I had to put all my time into it. I also recall he was changing labels and working with Desmond Child. It was a very natural progression to move away from each other. I took away so much from working with Alice, like becoming a professional musician and learning about the creative process. The main thing that I walked away with was our friendship and blessed to have ever met the guy! He ended up being on the new record. When we parted, it was just the business that pushed us apart. He is such a nice human being! He used to stay at my house for months at a time, and we never had a disagreement; the reason being it was him. I can be very hyper but he is always even keel, and he guides the ship."

Robert Cavuoto: Any Spinal Tap stage moment that you can share when you were touring with Alice?

Kane Roberts: "Yes, back then I had a gun guitar that shot flames. When we went overseas, we were not allowed to take over any charges. We had to get explosives or flamethrowers in England for the first show at Wembley. I’m on stage with tech before the show, and he told me he has it all figured out on how to use the guitar on the solo. We are on this huge 40-foot stage, so when it came time for the solo, I pull the trigger, the guitar shot this 30-foot flame through the air. Alice shows up at the edge of the stage while I’m doing the solo, which he never does, so I back up a little and aim it at him. I was a safe distance and pull the trigger again. I hear what sounds like two pieces of metal slap together and this Roman candle missile shoots out of my guitar and hits Alice in the leg. He almost faints, and I’m thinking I killed Alice while the audience goes nuts. They thought it was part of the show. This is all happening while the guitar is still shooting flames! The tech ran on stage, took the guitar while it was still on fire, and ran outside with it."

Read the complete interview here.

The album track "King Of The World", featuring Nita Strauss, is available for streaming below. Pre-order the album here.

Kane has involved some really amazing friends in the making of The New Normal, including Alice Cooper, Alissa White-Gluz of Arch Enemy, Nita Strauss, Babymetal drummer Aoyama Hideki, Kip Winger, Paul Taylor, and Ken Mary. Three years in the making, The New Normal melds the old and new in metal for a truly outstanding album.

Kane comments on how the collaborations came to be: “I noticed artists that were busting down doors and at the same time kickstarting new ways of thinking about life and creativity. I knew I wanted to try to work with some of them. Nita Strauss is a killer guitarist. She really tore it up on the song 'King Of The World'. Her work on it woke me the f*** up and forced me to explore new guitar techniques to compliment her insane skills!

"Alice Cooper... no one individual has scorched the earth like my former boss. I started getting into recording 'Beginning Of The End' and realized I needed Alice to sing a duet with me. Not just a line, not just an intro, but sing throughout the song. I took the shot that he might be available at some point to get involved and when I called, he said 'I’m in Hollywood. I'll be right over.' Full on stroke of luck.

"My approach to much of the album was cinematic in the hope that sounds and lyrics would create imagery and emotion beyond what I had done before. Keeping with that idea, I had Alissa White-Gluz (Arch Enemy) fall from the sky like some pissed off dark angel in the middle of the song with Alice and I and burn the place down. Her attitude and singing prowess is stunning and I was so jazzed when she agreed to participate.

"I was obsessed with getting drum monster Aoyama Hideki from Baby Metal. After he heard the song, he immediately came on board and played with controlled fury like only he can....AMAZING!

"I also was also able to work with Brent Smith (Shinedown) and Lzzy Hale (Halestorm) on songwriting and they were of course a blessing to the entire process.

"Upon hearing a few of the early recordings, Michael Alago (the A&R guy that discovered Metallica and White Zombie, to name just a few) offered to executive produce the project for me and got a lot of things done for that otherwise would have been impossible for me to accomplish.

"Last, but certainly not least, no one plays bass like Kip Winger or sings quite the way he can. Didn’t think twice about asking him to join up and he delivered, like always.”

“My music has evolved over the years, even though I was out of the spotlight. Stepping into this new project, there are new styles and sounds evident, but I haven’t made some false effort to distance myself from the past. People will notice a blend of influences from classic rock and metal to the hot bands that are emerging more recently,” says Roberts.

He continues, “Zeppelin to Volbeat to Arch Enemy…they’re all bringing crushing energy to rock/metal while creating truly awesome music. I was lucky to have found Frontiers because they allowed me three years to make this album and sort through my truest feelings and vocal/guitar skills to create something meaningful to me. There is a real concern for preserving the creative process at Frontiers and to my way of thinking there’s no better place for me right now.”

Tracklisting:

"King Of The World" (Feat. Nita Strauss)
"Wonderful"
"Beginning Of The End" (Feat. Alice Cooper, Alissa White-Gluz, Aoyama Hideki, Kip Winger)
"Who We Are" (Feat. Katt Franich)
"Forever Out Of Place" (Feat. Kip Winger)
"Leave This World Behind"
"The Lion’s Share" (Feat. Kip Winger)
"Leave Me In The Dark"
"Above And Beyond" (Feat. Kip Winger)
"Wrong"

"Forever Out Of Place" (Feat. Kip Winger):



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