Steel Panther guitar god Satchel (born Russ Parrish of Fight fame) and Kramer have teamed up to present the Ltd. Satchel Pacer Vintage. Kramner Guitars have issued the following statement:

"We worked closely with Satchel to bring you a production guitar that could compete with his arsenal of custom and vintage Kramer Pacers. We took the Pacer Vintage neck and changed the fingerboard radius to a comfy 9.5" radius and a smooth oil finished neck that will just feel better and better the more it’s played. The controls have been stripped down to a simple volume control with a 3-way mini-toggle switch to select the Seymour Duncan SH-4 and SH-2n pickups which are mounted in a Maple body. It is a true and simple shred machine. It is available in either yellow or purple Leopard print."

Go to this location for guitar specs.

Satchel recently posted an instructional video clip in cooperation with Guitar World. He has also posted the following overview of the clip, found below:

"A question I’m often asked, aside from, 'How can you possibly be that good looking?' is, 'What do you do to warm up?"
Personally, I don’t think about warming up that much, maybe not as much as most players do. But we’ve been touring a lot lately, and, especially in Europe, there just aren’t any heaters anywhere.

So, basically, I am freezing all day long. Then I’m given a guitar five minutes before we go onstage, and I’m expected to be able to burn right from the start! And there I am, frozen to the bone. So I will usually grab my guitar a few minutes before the show and play through a bunch of the riffs and patterns illustrated in this month’s column.

It’s good to have your fingers warmed up a little for when that first solo comes along in the first song, so one of the things I like to warm up with are legato exercises, where I’ll pick the string once and then sound a long series of notes in a repeating phrase using only hammers-ons and pull-offs.

A good example of something I’ll warm up with is the lick shown in Figure 1, which is a repeating six-note sequence performed entirely on the high E string. Play the lick over and over, speeding up and slowing down while striving to articulate every note as clearly as possible. The first note, G, 15th fret, is fretted with the pinkie, followed by a pull-off to D, 10th fret, fretted with the index finger.

I then hammer onto the 12th fret with my middle finger to sound E, followed by another hammer up to the initial G note, and then a double pull-off back down the string to E and D. The sequence then repeats on each subsequent downbeat, but I hammer-on back up to the initial high G, so that the rest of the phrase is performed entirely with hammers and pulls, which is great for developing good fret-hand 'traction'.”