Trailight bassist and mastermind Omer Cordell has checked in with the following update on the band's second album, which is currently in the works:

"First week of the crowdfunding campaign has ended, we've got 3 weeks to go! 

Thank you so very much for your incredible support! I can't articulate enough how grateful I am for everyone who has been supportive of this project! 
In this day and age, making an album without any label backup or even a distribution deal basically means that you're making music for free where anyone can simply grab it from pretty much anywhere and all of you - with your support, have been helping me create something that I love doing and I hope that in the end you will love it just as much and this album, is also a part of you! So thank you and again, I say thank you! 

Here's a 7 minute sample of the music that we've been working on. Keep in mind that this this is a sample of the pre-production work-in-progress that Cory McBain and I have been working on over the past several months. The mix is pretty rough but it's a great snapshot of what things sound like.
There are no vocals as of yet, they are still being worked on and I'll share some samples with you as I make progress with the lyrics and harmonies.

Hope you enjoy and stay tuned for more updates as we go along!"

Check out the new music here. Go to this location for details on the Kickstarter campaign.

Trailight, featuring vocalist Dave Padden (ex-Annihilator), recently released a cover of the Nick Cave And The Bad Seeds classic "The Weeping Song". It features Padden and Fear Factory frontman Burton C. Bell on vocals and released on February 22nd. Check it out below.

Cordell: "I can only think of a handful of people alive today who I consider to be the most prolific and inspiring artists who have influenced and inspired countless of people all over the world yet, in some way are considered to be unpopular. Who instead of following trends, the trends seem to follow them. Who continue to create their art without having to compromise their artistic vision and by doing so, they are able to create their own fusion and magic in music, words and visuals.And so, I wish to pay tribute to one of those people; one who I consider to be the most important artists of our time; the great Nick Cave. This is our version of 'The Weeping Song'

My endless gratitude to Dave Padden, Burton C. Bell, Cory McBain and Adrian Windsor for their great talent and hard work!"

Cordell spoke with BraveWords scribe Carl Begai about Trailight last year. Following is an excerpt from the interview.

“When I was first starting to think about doing this project, considering the vibe and riffs I was coming up with – ‘A Thousand Years’ was the first song I wrote – I knew who I wanted to play drums on it. Ryan has known me as a photographer for years, so when I called him up it was like ‘This may come as a surprise, but I’m making music now…’ (laughs). I asked if he’d be interested in playing on it and he wanted to hear the demos, but he had a bunch of touring to finish with Devin and then record the DVP double album. After that he had time to do my stuff.”

“Ryan came back from Devin’s album recording, learned my songs in about a week or 10 days, we had one day of pre-production where I had a chance to hear what he would be doing in the studio. Three days later we were in the studio and 10 hours later he was done recording. When we were finished I knew why I’d gotten Ryan to do it. He not only fits stylistically, he was also such an immense help with the whole process. I was basically flying blind. I’d been to the studios lots of times back when Strapping was around to take photos, but I’d never actually recorded in one before, so Ryan was helpful in guiding me.”

Cordell also took on outside help to produce The Primitive Mountain, a long and drawn out process that slowly deteriorated as the songs were being mixed. He eventually opted to take on the task of mixing and mastering himself; a daunting task on one hand, but the only option left if the album was going to live up to his expectations. Rather than a play-by-play of events, Cordell channels Metallica to sum up the situation.

“As far as the mix of the album, the first batch of songs that I sent you sound like St. Anger, and the final mixes sound like the Black album.”

Go to this location for the complete story.