DEF LEPPARD Artist Andie Airfix Post Part 4 Of B*b G#ld*f Stole My Sunglasses? Blog

December 12, 2009, 14 years ago

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For the past few months, Andie Airfix (responsible for DEF LEPPARD's iconic album covers of Pyromania, Hysteria, Adrenalize and Euphoria, as well as most artwork used for single releases of those albums) has been keeping a blog called 'B*b G#ld*f Stole My Sunglasses?, in which he tells stories about his work, the artists he works with, and everything that comes with it.

Part 4 is now available. The following is an excerpt:

"We move on now on to the ‘Hysteria’ singles, an exhibition of Def Leppard art and vinyl in London, the wonderful Juan (the ultimate Def Leppard fan), and a competition to win a large Edition Print of your choice …

People often ask me if I feel nervous or intimidated meeting the Famous. Rarely, and there’s a simple reason. I was in PAUL MCCARTNEY’s dressing room on the opening night of his first tour in well over a decade. He was generous enough to meet a number of people who were waiting outside his door to meet him. This poor woman, when she came in, was so nervous she was visibly trembling and opened her mouth several times to speak – but the words just didn’t happen. She was mortified. She’d won a competition to meet him and had waited over twenty years to be face to face with her idol. She just didn’t know what to say. What DO you say to Paul McCartney? That’s exactly the reason why I don’t get nervous – I have something to talk about – the project we’re working on. I have to discuss something that’s important, something to focus on that’s not about me or who I’m meeting – there’s a common ground which allows relationships to develop naturally.

I met Def Leppard many times – at Joe’s house in Ireland, in Ibiza at recording sessions, at rehearsals for a tour and in numerous dressing rooms when they were on tour. They were great times but we had work to do and that was a responsibility we all took seriously. As Pete Burns said – ‘It’s an album sleeve, NOT a cure for cancer,’ – but, in the context of creativity and careers, there was a lot at stake. Relationships tend to be intense and you have to get to know people pretty well to get the best results and reach the right decisions. By the time Hysteria was completed there was a mutual respect between the band and I which allowed us to push the boundaries of vinyl even further."

Read more here.



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