Ultimate-Guitar.com recently caught up with producer/engineer BEAU HILL, known for his work with ALICE COOPER, WARRANT, EUROPE, RATT and many more. An excerpt from the interview is available below.

UG: You were very much part of Ratt’s success since you produced those first few albums of theirs. What do you remember most about working with the band from a production and engineering perspective?

Hill: "First off, for the record, I was not the producer of choice that the guys from Ratt wanted to work with, I don’t even think I was in their top ten. But none the less I got forced upon them, the rest is sort of history now. From an engineering point of view, we did the first record at The Village in L.A where we had access to pretty much anything that we needed so there wasn’t any gigantic engineering challenges. The biggest challenge for me was trying to get the arrangements where the songs were really going to hold up. And at the time, I was a completely unknown hack producer and they were an unknown broke band from San Diego. So at a certain point I would say, ‘Hey guys, how about this?’ And rightfully so they’d say, ‘Who the hell are you to tell us what to do?’ So we wrestled with that for a little bit. Luckily they were open enough to make a few changes so we wound up with the arrangement on ‘Round And Round’ which as you know, kick started the whole thing for them."

UG: Would it be fair to say you and the band are largely responsible for the development of the LA glam-metal scene?

Hill: "We were certainly a part of it, but don’t forget GUNS N' ROSES was beginning to happen, and Van Halen… Ratt was one of the early contributors to that scene certainly. But it wouldn’t be fair to say we were the impetus for that particular style. It was already under way, but we happen to kind of be there in the early days."

UG: Over the years much has been said about you hiring Mike Slamer to play some of the guitar solos on Warrant’s first two albums. Much to the point of it being disputed and debated, so what’s the truth?

Hill: "When we were in pre-production I called a band meeting and I said, ‘Listen guys, we’re competing with the greatest guitar players in the world, everybody from STEVE VAI to WARREN DIMARTINI to EDDIE VAN HALEN and I have to be honest with you, I think the songs are really great, but I think we’re a little weak in the solo department and so I like to bring somebody in’. And as much as every band in the world never wants to hear that from their producer, I have to give these guys full credit, they listened to me and they agreed to do it and they were real gentlemen about it. We also credited Mike on the record, and yet this has always been presented to me as some sort of behind the scenes, subterfuge, kind of secret, but everybody in the band signed off on it and everything was done above ground and everybody participated."

Go to this location for the complete interview.