IRON MAIDEN's BRUCE DICKINSON Reflects On Classic Albums From AC/DC, JUDAS PRIEST, DEEP PURPLE, BLACK SABBATH - "I Was Still A Virgin, Which Made Me Open It Up And Go, 'Oh My God, Look At Those Women'"; Video

May 22, 2024, 3 weeks ago

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IRON MAIDEN's BRUCE DICKINSON Reflects On Classic Albums From AC/DC, JUDAS PRIEST, DEEP PURPLE, BLACK SABBATH - "I Was Still A Virgin, Which Made Me Open It Up And Go, 'Oh My God, Look At Those Women'"; Video

Qobuz has released the video below, along with the following introduction...

"Discover exclusive insights from Bruce Dickinson as he delves into captivating stories about iconic bands like AC/DC and Deep Purple, along with memorable encounters with legends like Ian Gillan and his discovery of Rainbow with Ronnie James Dio. And uncover the profound influence of Arthur Brown on his remarkable journey as a singer, for our One Cover One Word interview!"

Bruce Dickinson was recently announced as patron of The Blake Cottage Trust, a charity dedicated to preserving the only surviving house of the visionary artist and poet William Blake.

The Iron Maiden frontman has frequently referenced Blake’s works within his own creative output, including extensively on his new solo album, The Mandrake Project. The video for Dickinson’s recent single, "Rain On The Graves", references Blake in many different ways, from the mystical and arcane through to the more prosaic image of Bruce uncovering a replica of Blake’s grave at the end.

The Blake Cottage is situated in Felpham on the Sussex Coast, where William and his wife Catherine lived between 1800 and 1803. It was in the cottage that he wrote the words to what we now know as the hymn Jerusalem. William’s three years in the village marked the start of the most important period in his creative life.

Despite being recognized as one of the most important places in English literary history, when the Trust purchased the Cottage it was found to have structural issues and the thatched roof is now in urgent need of repair, meaning it is unsafe to allow access.

Dickinson comments, “William Blake has given me so much over the years and I want to repay the debt by helping to restore the Cottage. Despite his impact on the world, there is no centre for Blake, nowhere people can visit to see the place where he actually lived and worked during a key part of his life. I want to change this.”

Read more at Dig!.



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