Q107 on-air personality Kim Mitchell shows Rush fans exactly what they will find inside the newly-released Rush Rediscovered LP Box Set, which celebrates the 40th anniversary of the band's debut album.

The Rush Rediscovered LP Box Set features their debut vinyl album re-mastered with impeccable care at Abbey Road studios by Sean McGee, who has been previously responsible for all recent Beatles vinyl re-masters. The Re-discovered vinyl is encased in a 12 x 12 high quality box. Pressed on audiophile 200 gram vinyl on the Direct Metal Mastering process, this is the highest quality vinyl currently available. This release contains a re-production of the original 1974 Canadian retail poster (only 500 were ever originally printed) and individual Moon Records publicity photos of Geddy Lee, Alex Lifeson and original drummer John Rutsey. This release also contains a first time ever Rush Family Tree, tracing origins of the band dating back to 1965 and a memorabilia collage of early Canadian and US gig ads, reviews, photos and the first ever Rush bio.

Rush frontman Geddy Lee remarks: "There are so many memories associated with the re-release of our very first album that one hardly knows where to begin. Like most first albums, it is sort of a miracle that it came into being at all. We originally recorded most of the songs in a studio in downtown Toronto, between the hours of 2AM until 8AM AFTER we had finished playing five sets a night at a local rock club. You can imagine the logistics of that.. good thing that we were so... er... resilient!

We managed to record an album's worth of material in a matter of days and the engineer who worked with us then mixed the entire record in one evening. After the club date ended we came in to hear the final mix and we were crushed with disappointment, it sounded so... well... polite... nothing at all like the way we sounded live and not at all what we wanted. He simply did not understand us. So the next day we ran to our manager for help and we were directed to an ex-pat British engineer and producer named Terry Brown.

We met with Terry and instantly felt we were on better footing. After he had come to hear us play live, he suggested that we come to his studio, Toronto Sound, and re-record many of the overdubs and record a few of the 'newer' songs that we had written and then re-mix the rest. It wasn't perfect but it sounded sooo much better and more importantly it sounded like us! Terry saved the album.. no question about that! It began a very happy collaboration between us that endured until 1981 after we had completed the Signals album."