MetalSymphony.com has posted a photo gallery from SYMPHONY X's March 3rd show at Sala Apolo in Barcelona, Spain. Shots of support act NEVERMORE are also available. Go to this location to check them out.

SYMPHONY X's setlist on the night was as follows:

'Of Sins and Shadows'

'Domination'

'Serpent's Kiss'

'End Of Innocence'

'Paradise Lost'

'Inferno (Unleash the Fire)'

'Evolution'

'Dehumanized'

'Set The World On Fire'

-------

'Eve of Seduction'

Symphony X kicked off the The Power Of Metal Tour 2011 with co-headliners NEVERMORE on February 25 in Stuttgart, Germany at LKA Longhorn. Symphony X performed two songs off their forthcoming album Iconoclast, due out later this year by Nuclear Blast: 'The End Of Innocence' and 'Dehumanized'. Check out fan-filmed footage of 'The End Of Innocence' below:

The official Symphony X French site The Eyes Of Medusa has also revealed the main visual that will adorn Iconoclast's album cover, t-shirts and posters. Check out the artwork below:

The Eyes Of Medusa interprets the art: "The notorious masks symbolizing human duality make their reappearance. However, this time, a third entity is artificially grafted onto them, thereby disturbing their fragile balance: the Machine. This unnatural and unholy trinity is strongly reminiscent of H.R. Giger’s works and a worthy successor of ancient divinities such as Hecate and Brahma."

Symphony X vocalist Russell Allen spoke with JC Green from Heavy Metal Thunder Radio about the band's new album, Iconoclast.

"At this point, mixes are being wrapped up and finalized and it's off to mastering and should be ready for release in a few months," Allen says. "We've got the artworks all done, we're taking pictures next week... all that good stuff. So everything's on track for release pretty soon."
"This album will contain a good body of work that hearkens back to a lot of early metal," Allen added. "Some early meal - and a lot of Symphony X standards that you guys know already, and a little bit of a newer sound, too, here and there - just a newer direction. Some of the singing parts, I tried some more rhythmic things that I was hearing that sounded pretty cool, and some different things that I'm doing with my voice now that are a little more looking to the future of what we hear the music going. It's just the next progression for us, where we are as writers and stuff, but it's pretty intense - it's way more intense than Paradise Lost, if you can believe that. Sonically, it's in the realm of that one in a way, in terms of the sound of things; the guitar sound is a little different. Basically, the album is pretty intense - probably the most intense record we've ever done; it's chock-full of riffs - tons of great riffs. It's heavy, the music, but the singing is very melodic in terms of its... the choruses are real strong, the verses are real strong, but I'm singing aggressively - a lot of that going on - 'cause the topic is, again, very dark; you know, that's what we do. So the album's very powerful. And, of course, we do have one song that's like a little mini-epic, so to speak, and it's the lightest - a light, light, light song. So there is a contrast on the record of that one song that has that sort of Paradise Lost feel to it; it's a ballad, I guess, if you wanna call it that."

About the lyrics Allen remarked: "It is basically just the idea of machines taking over everything and all this technology we put our society into pretty much being our demise. It's a story we were all familiar with, but we put our own spin on it. It's not a linear story in terms of... This is just the theme of the record, so all the songs are in that theme, but they're not connected in any sort of story way - there's no characters of any of that stuff - it's just a theme. Like The Dark Side Of The Moon (PINK FLOYD), it's really just a theme of the dark side of the moon - one song deals with death, the other one deals with time... You know what I mean?! So it's the same kind of thing. I'm not comparing the two albums by any means - don't misunderstand me — but in terms of the idea of a concept, so to speak, the concept is there, but it's not a story record - not like The Odyssey, where the song The Odyssey is that story."