Professional Classical Singer Analyzes BRUCE DICKINSON, RONNIE JAMES DIO, KING DIAMOND, OZZY OSBOURNE And ROB HALFORD
September 2, 2010, 14 years ago
Following is an excerpt from an article published by Invisible Oranges featuring professional classical singer Claudia Friedlander analyzing five male metal singers, Bruce Dickinson (IRON MAIDEN), Ronnie James Dio (HEAVEN & HELL, DIO, BLACK SABBATH), King Diamond (MERCYFUL FATE), Ozzy Osbourne, and Rob HALFORD (JUDAS PRIEST):
"If you’re a singer, you should be following Claudia Friedlander’s blog. The classically-trained, New York-based voice teacher provides sage advice not only for singers for all types, but also for musicians and people in general.Although at least one of her students sings metal, Friedlander knows virtually nothing about it. I wondered what she would think of some of metal’s most classic male singers – the foundation of the artform. It’s rare to find someone who isn’t familiar with any of these singers. Her perspective would be a fresh one, free of cultural baggage. I sent her five completely unidentified songs. Her comments are below. I have also included initial reactions she sent me immediately upon hearing the singers."
Ronnie James Dio
Friedlander: "This is another very fine singer. His voice is so naturally resonant – he reminds me of Freddie Mercury. Like the first singer, he performs with perfect legato, clear diction, and a consistent, organic vibrancy. He arranges his resonance space to create a shallow snarl without setting up any resistance for his breath. You can tell how healthy his delivery is from the way he moves in and out of brief moments of harmony with the other tracks with impeccable intonation."
King Diamond
Friedlander: "Here is some impressively artful singing. He begins in full-voice tenor fraught with sobbing verismo-like ornaments and then wails in an ultra-high, very focused countertenor, alternating these two approaches throughout the song, at times even within the same phrase. But not only do I not understand a single word he’s saying, I don’t even know what the overall message or emotion of the song is supposed to be! It is true of classical singing as well as for any other style: there is no need to sacrifice communication for the sake of stunning effects like this. All I hear is virtuosity. At first it’s cool, then it gets boring, and you shouldn’t feel bored listening to metal."
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(Photo by Kristin Hoebermann)