In a new interview for Classic Rock Magazine, YES guitarist Steve Howe  addressed his relationship with former vocalist Jon Anderson and talked about the chances a potential reunion with the singer and other past members.

With regards to the chances of any of YES' classic line-ups getting back together, Howe offered the following:

"It's something I'm absolutely resistant to, because I remember the fiasco of the Union tour,” he says, referencing the notoriously difficult tour in support of 1991's Union album, which featured eight different past and current Yes members. "It was very, very difficult and out of control. Sometimes I might have thought, 'Well, one day maybe,' and one never wants to say never, but basically I can’t see it.

I love Jon.  I'm a lot older now, and so is he, and the only terms I work on is that I'm happy working on this. I'm not going to take a sudden load on my back that I either don't need or want. My music’s always guided me, and it’s not telling me to do those things. It's telling me to go forwards. If it keeps steering me where it is now, then it's great to have this live and vibrant Yes."

Read more here.

Jon Anderson was replaced by Benoit David in 2008 after suffering respiratory  health issues. He subsequently criticised his former bandmates for not waiting for him to recover and failing to act "in a more gentlemanly fashion."

David himself was replaced in 2012 by former Glass Hammer frontman Jon Davison, who has appeared on three Yes studio albums, including the recently released Mirror To The Sky. 

YES - Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood and Jay Schellen - released their new studio album, Mirror To The Sky, on May 19 via InsideOutMusic/Sony Music. The band recently unveiled an eye-catching animated lyric video for the album’s evocative closing track, "Circles Of Time". Watch below:

“This is a very important album for the band,” says Steve Howe, YES’ longest serving member, master guitarist, and producer of Mirror To The Sky. “We kept the continuity in the approach we established on The Quest, but we haven’t repeated ourselves. That was the main thing. As Yes did in the seventies from one album to another, we’re growing and moving forward. In later years, Yes often got going but then didn’t do the next thing. This album is demonstrative of us growing and building again.”

For YES, that “next thing” is a collection of high energy, intricate, lush and layered new studio songs for an album which adds to the band’s much heralded legacy, while charting a path to exciting future times ahead.

Mirror To The Sky is available on several formats, all featuring artwork by long-time Yes artist and collaborator Roger Dean:

- Ltd Deluxe Electric Blue 2LP+2CD+Blu-ray Artbook with poster
- Ltd Deluxe 2CD+Blu-ray Artbook
- Ltd 2CD Digipak
- Standard CD Jewel case
- Gatefold 2LP+LP-Booklet
- Digital Album

The Blu-ray editions include the album as Dolby Atmos, 5.1 Surround Sound, Instrumental Versions & Hi-Res Stereo Mixes.

Order here.

Tracklisting:

CD1:

"Cut From The Stars"
"All Connected"
"Luminosity"
"Living Out Their Dream"
"Mirror To The Sky"
"Circles Of Time"

CD2:

"Unknown Place"
"One Second Is Enough"
"Magic Potion"

“All Connected” video:

"Cut From The Stars" video:

As they were wrapping up The Quest, YES found themselves with song sketches, structures, and ideas that were demanding attention. YES received unconditional support from InsideOut boss Thomas Waber, who encouraged them to keep going in the studio, months before The Quest would even be released. It was like throwing gasoline on their creative fire.

“When we delivered everything, and they were just getting the vinyl and everything into production for manufacturing, we were still very much in that creative zone,” explains Steve Howe. “That belief that Thomas had in us really meant a lot,” he says.

“We truly get along as people,” says Jon Davison. “I feel like everyone’s focused inward to the greater circle, concentric to the core of highest standards that define Yes. It’s a wonderful thing to witness and of which to play a part. I believe this reflects vibrantly in the music and the creative input that each one is willing to apply, not for the benefit of the individual, but for the greater whole that is Yes.”

“There was a lot of material floating around because the band hadn’t done anything in the studio for so long. Ideas were just copious,” says bassist Billy Sherwood. “The pace of it was fast. As soon as we were finished with The Quest, and the mix had come out, we took a couple of little breaks there to catch our breath. But there was still music flowing around in the loop. It was just constantly being looked at and worked on. As we were all home and in that mode, things started progressing quite swiftly. We just went one album into another without really announcing, ‘Hey, we’re working on a second record right now.’ We just continued to work on material. It came about pretty naturally, and then we refined it as the process went on. But the initial bursts—there was a lot of material around!”

Much to everyone’s delight, including that of long-time fan Thomas Waber, YES have pushed into territory they practically invented—the prog rock epic—albeit in a thoroughly new and modern way. “I always felt that it would be great to have stuff that’s a little bit more epic,” he says, although he resisted the temptation to push for something that would be too formatted and could come off as contrived. He just gave the band space to do what they do and let things develop. “They were so excited by The Quest and the momentum they had that they went straight back into the studio. What they were writing, even early on, was obviously headed in that epic direction—what Yes music really is to me. It is almost a genre onto itself. It is ‘Yes Music.’ Mirror To The Sky certainly is Yes Music.”

Mirror To The Sky features not one, but four tracks clocking in at over eight minutes, with the sweeping and cinematic title track coming in just shy of fourteen minutes. What’s more, the tracks, like YES’ best, take the listener on a wide dynamically ranging journey of soundscapes which also showcase Steve Howe’s dazzling guitars, keyboard wizard Geoff Downes’ impeccable sounds, exquisite melodies and fills, Jon Davison’s angelic, crystalline vocals, Billy Sherwood’s deftly dancing bass and Jay Schellen’s masterfully controlled explosions on drums.

Jay Schellen, who has been touring with the band since 2016, was hand-picked to step into his mentor and friend Alan White’s role when White sadly passed away in 2022. “I had done the 2016 Topographic Drama tour on my own for Alan,” says Jay. “From late 2017 onwards, we had a partnership, and a beautiful partnership, I might add. I learned so much, and discovered so much about Alan’s style, and why it was the way it was. It fit his personality so perfectly. This album has Alan’s presence all over it. It is inside of us. So this is still, in my heart, Alan just being present and with us, and with me, in a big way.”