BOSTON Legend TOM SCHOLZ - "A Lot Of People Totally Resent Me And Boston Music"

November 29, 2021, a month ago

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BOSTON Legend TOM SCHOLZ - "A Lot Of People Totally Resent Me And Boston Music"

In an exclusive 10-page cover feature with Jon Hotten for issue #29 of Rock Candy Mag, Boston guitarist and songwriter Tom Scholz explains the making of the first Boston album in forensic detail and reveals that its incredible success came with a heavy price.

“I was always an outsider,” Scholz tells Hotten. “I wasn’t part of a scene, not part of the crowd that recorded or played in LA or New York. I wasn’t part of the drug culture; I didn’t know anything about it. I wasn’t at the parties. I didn’t do any of those things. I was like this enigma that came out of no place and it really p*ssed people off. There were a lot of people, and there still are today, who just totally resent me and Boston music. They will never understand what went into that music or what was behind it, or, once it became successful, what I intended to do with it. That part was not pleasant.”

Released in August of 1976, Boston quickly became the best-selling debut album in the US at the time and has now shifted over 20 million copies. And lead track "More Than A Feeing" has come to define the AOR rock sound. But Scholz, who was the undoubted creative force behind the music, had no idea that his album would be such a success. He’d struggled with those Boston songs for years, building his own home recording studio in the basement of his house, trying to get them to sound exactly as he wanted them to.

“I was going to send demos out,” he says. “And assuming I got nothing but rejections, which is what I thought would happen, I was going to dismantle all of the equipment, sell everything off, and recover what little I could from the money I’d spent.”
 
Even when Boston finally landed a major deal with Epic, the label wanted Scholz to re-record his precious demos in LA for the album proper.

“I said, ‘It can’t be done. I cannot do it without the equipment I used to record everything we’ve done so far.’ It would have taken another 10 years rather than another six months. All of the equipment would have had to be modified.”

Fortunately for everyone concerned it was decided that the original demos would be mixed in LA for commercial release… and the rest is rock history.

Read this and many other fascinating stories in issue #29 of Rock Candy Mag. Watch a promo video for the issue below:



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